The Indonesian society is seen through a middle-aged lady's eyes in her daily encounters with the street children who work and live off the harsh and sleazy world of adults.Salah menyimpan can film berarti malapetaka. Karena rekaman gambar adegan film yang diambil dengan cara berdarah-darah ada di sana semua. Padahal Garin juga pernah kehilangan beberapa can film saat proses pengiriman can film via kereta dari Yogyakarta, saat proyek film Daun di Atas Bantal (1998), ke Jakarta. Tahu apa akibatnya? Syuting ulang!
FILM DAUN DI ATAS BANTAL Ahmad Toni Universitas Padjajaran dan, Universitas Budi Luhur Email: ahmad.toni@budiluhur.ac.id Abstract This study is based on qualitative research methods approach the text with the level of semiotics, the purpose of this study to uncover the ideology of the film by Garin Nugroho who use etetika high art and the
Meski begitu, ada juga beberapa film berkualitas pada masa itu yang cukup mengangkat nama Indonesia di kancah festival film sepeti Cinta dalam Sepotong Roti dan Daun di Atas Bantal karya Garin Nugroho. Di lain pihak, industri film era 1980an hingga 1990an didominasi oleh film ber-genre slapstick komedi milik kelompok legendaris, Warkop Jakarta. His film Daun di Atas Bantal (Leaf on a Pillow) also won Tokyo International Film Festival, in 1998. Personal life. Nugroho enjoys gardening and travelling, both in Indonesia and abroad. Filmography. 1984: Gerbong Satu, Dua (Wagon 1, 2) 1989: Tepuk Tangan; 1991: Cinta Dalam Sepotong Roti (Love in a Slice of Bread) .